A better half to Werner Herzog showcases over dozen unique scholarly essays studying approximately 5 many years of filmmaking via probably the most acclaimed and leading edge figures in global cinema.
• First assortment in two decades devoted to analyzing Herzog's expansive profession beneficial properties essays through overseas students and Herzog experts
• Addresses a wide spectrum of the director's movies, from his earliest works akin to Signs of Life and Fata Morgana to such contemporary motion pictures as The undesirable Lieutenant and Encounters on the finish of the World
• bargains inventive, leading edge methods guided by way of movie background, artwork background, and philosophy
• features a accomplished filmography that still includes a record of the director's appearing appearances and opera productions
• Explores the director's engagement with song and the humanities, his self-stylization as a world filmmaker, his Bavarian origins, or even his love-hate dating with the actor Klaus Kinski
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Additional resources for A Companion to Werner Herzog (Wiley-Blackwell Companions to Film Directors)
8 (November 1976): 40–45. Bissell, Tom: “The Secret Mainstream: Contemplating the Mirages of Werner Herzog,” Harper’s Magazine 1879, December, 2006: 69–78. Bohm, Hark, and Zimmer, Jürgen: “‘Die zehn Gesichter der kleinen Soldaten’: Ein kritischer Kommentar zu Werner Herzogs Fernsehfilm über Nicaragua,” Vorwärts 47, November 17, 1984. Borski, Arnim: “Exzentriker—das sind die anderen,” Der Abend, July 6, 1973: 6. Byron, Lord: Childe Harold (Cheshire: Cool Publications, 2004 [original 1818]). Canby, Vincent: “Dwarfs Started Small,” New York Times, September 17, 1970: 58.
168–194. Peucker, Brigitte: “The Invalidation of Arnim: Herzog’s Signs of Life (1968),” German Film and Literature: Adaptations and Transformations, ed. Eric Rentschler (New York: Methuen, 1986), pp. 217–230. : 1 Title Name: Prager Comp. by: RKarthikeyan Date: 22 Feb 2012 Time: 12:14:57 PM Stage: Proof Page Number: 29 30 Brad Prager Plula, Ekkehard: “Einzelgänger unter Außenseitern: Der junge Regisseur Werner Herzog,” Der Tagesspiegel—Berlin, February 7, 1971: 58. 2 (2010): 119–136. Prager, Brad: “Mit den Augen des Tieres: Werner Herzogs Primaten,” Lektionen in Herzog.
He relates that the film was part of his first encounter with cinema as synthetic, which is to say: his primal scene of coming to terms with film consists of realizing that the same shot could be edited into the film more than once (Cronin 2002: 9). It is odd that even as a young man he would have instinctively held a Fu Manchu film to the standards of a documentary, yet this original conflation between documentaries and features ultimately attended and defined much of his subsequent filmmaking decisions.